Lundgren has directed himself in a small collection of them, too, and finds himself acutely invested in how the rise of Brazilian Jiu-Jitsu, Muay Thai, and other martial arts has changed the action-film scene. Color, 131 minutes, Rated PG.The Swedish action king has put his body on the line in a frankly impressive number of movies-mostly action, sometimes comedy-since his debut as Venz in the 1985 Bond film, A View to a Kill, followed shortly by his star-making turn as Ivan Drago in Rocky IV. Plus, the film’s plot revolves around the computer industry, making A View to a Kill more relevant now than ever before. That’s probably why I still have a soft spot for the movie. We were aware that this was the end of something, and a feeling of bittersweet elation was in the air. I first watched A View to a Kill during its initial theatrical run. Finally, I really love Maurice Binder’s title sequence - it’s flashy, bouncy and gorgeous. That being said, I like the band and I really enjoyed the melody - it’s enjoyable and catchy. There is something not quite right about men singing a Bond song. The title song, performed by Duran Duran, doesn’t get much respect nowadays. In addition, Roberts doesn’t have any chemistry with Moore.
#A view to a kill venz movie
It isn’t entirely Tanya’s fault - her character isn’t very interesting (Roberts also spends most of the movie screaming and whining). The beautiful Tanya Roberts ( The Beastmaster and Sheena) is overshadowed by scene-stealers Walken and Jones. Lois Maxwell makes her 14th and final appearance as Miss Moneypenny. Desmond Llewelyn and Walter Gotell return as M16’s “Q” and KGB’s General Gogol, respectively. Alison Doody ( Indiana Jones and the Last Crusade) and Fiona Fullerton ( Nicholas and Alexandra) are gorgeous “Bond girls.” Dolph Lundgren ( The Expendables) makes his film debut as a KGB henchman named Venz. Patrick Macnee (TV’s The Avengers), who plays Bond’s sidekick, adds a touch of class to the movie. A self-professed diva (on and off the screen), Miss Jones provides the story with vitality. Walken has a strange but compelling chemistry with charismatic pop star Grace Jones ( Conan The Destroyer), who is surprisingly good as Walken’s deadly henchwoman May Day. Christopher Walken is scary as the psychotic Zorin. That’s the main reason Moore has always said that this is his least favorite Bond movie - he apparently had no stomach for acts of cruelty.Īnyway, View to a Kill is invigorated by a supporting cast composed of interesting actors. Although I didn’t think the violence was gratuitous, Moore wasn’t amused and protested, but his grievances fell on dead ears.
#A view to a kill venz series
Ironically, despite Moore’s reputation as a “lightweight,” A View to a Kill is one of the most violent movies in the series - people are constantly killed in brutal ways. Those days are long over, never to return this is indeed the end in more ways than one. I myself miss the days when Bond was cruising along the spy world with his tongue firmly planted in cheek. I’ve long suspected that modern viewers have simply become too jaded for Moore’s droll personality. Energetically directed by Bond veteran John Glen, A View to a Kill tries its very best to end Moore’s reign on a high note, and for the most part, the film succeeds.Ī View to a Kill is nobody’s favorite Bond movie, but I liked it a bit more than its predecessor, the fun but goofy Octopussy. Since there are small references to Sean Connery’s movies in Moore’s outings, you can easily argue that this is also the last chapter of a story that began with Dr. The franchise’s 14th entry, and Roger Moore’s seventh and last Bond movie. “On a mission, I am expected to sacrifice myself!”
Later, Bond learns that Zorin plans to monopolize the tech market by destroying California’s Silicon Valley. Clues lead Bond to multi-millionaire Max Zorin (Christopher Walken, The Deer Hunter), the head of an organization responsible for manufacturing the microchip. After completing a secret mission to retrieve a microchip, British spy James Bond (Roger Moore, The Man who Haunted Himself) returns to England to discover that the microchip might be the first step towards some nefarious enterprise.
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